The original portrait photo did not show the complete hair so I decided to fade the edge of the composition instead of trying to fill in what wasn't in the photo. I think it works quite well in the final portrait drawing. To get the very fair skin tones I use graphite powder brushed on with a soft cotton wool pad. Some artist prefer to use a dry brush but I tend to prefer the cotton wool method. The details are drawn with a variety of soft pencils, and a malleable art eraser is used to finally pick out reflections and lines in the hair.
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February 2015
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